Happily, I'm back on the ground now and hoping to get back into the studio this weekend to stretch another couple canvasses and get to work. I do think I'm finished now with my first acrylic piece on canvas. Phin had helped me with part of it (which was planned) and put a few purple crayon marks on part of it (unplanned). But I'm leaving the crayon marks in because: #1. Phin was there and is a huge part of my life, and #2. The marks integrate just fine with that portion of the painting, so why would I change it?
Here are the "Phin marks":
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And here is the finished piece:
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I also was able to get a small painting on panel completed the day before the illness came to stay. I think having to work quickly because Phin is there with me actually helps me in the studio. I do a lot more active thinking with a brush and knife in my hand rather than agonizing over each step while sipping coffee.
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I'm still working with bird imagery, but am starting to think about what may come next or start mixing with the birds. I may begin to take some of Phin's obsessions as fodder. He cannot get enough of the moon and planets. I am updating this blog at 4:30 saturday morning so I don't have to keep telling him, "No moon, mommy is working" when he wants to look at images of the moon on the screen. "The Moon" is a pretty huge subject and one of the most common poetry inducing items. But I'm thinking of it more as a quality of light and a way to play with the space of the painting. A week and a half ago there was a full moon and Mike called to have me take Phin outside to see it (now every time we put on coats to go outside Phin both signs and says "moon" in anticipation) It was impressive. Here is a page from my journal:
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City living. You just don't get an unobstructed view of the low, full moon.
As it is Saturday at 4:45 a.m., I'm going to slip back into bed now and hopefully dream. I will leave you with this sketch from my journal of my sleeping Phineas.
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Take care,
Melanie
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